Gesture, Craft and Scale: In Conversation with Thomas Morineau

Gesture, craftsmanship, and scale: In conversation with Thomas Morineau Barthelemy

Architect and furniture designer Thomas Morineau Barthelemy moves effortlessly between different scales, from handcrafted modular stools to large-scale architecture, always guided by his fascination with the honesty of materials and the "expression of gesture." Based between Paris and Marseille, his studio combines raw materials, artisanal know-how, and adaptability. We spoke with Thomas about his journey from large-scale infrastructure projects to the most complex objects, his design philosophy, and the recent renovation of an apartment in Marseille.

About their practice and philosophy
You started in architecture before moving into furniture and interiors. How did that transition happen?
As a child, I drew lamps and chairs, a fascination that never left me. This curiosity led me to study architecture at ENSA Paris-Malaquais. Three years ago, I decided to reconnect with my first passion and began my journey in the world of furniture design, where I now explore the dialogue between architecture and objects on a more intimate scale.
Your practice is based on the idea of "learning the expression of gesture." What does that mean to you?
I consider my practice an interdisciplinary platform based on a deep respect for raw materials and craftsmanship. A design begins with a drawing, but it only exists through a skillful gesture applied directly to the material. This continuity is essential. It's an iterative back-and-forth between those who make and those who design.

Raw materials and artisanal know-how are fundamental to your work. How do you cultivate that dialogue between hand, material, and design?
I strive to create spaces, furniture, and objects that convey sincerity, without unnecessary embellishments or disguises. A raw stone, dense clay, or a carefully selected piece of wood already holds immense history. When shaped by skilled artisans, these elements reveal a depth and presence that touches our souls. My aim is to blur the lines between the refined and the raw, creating objects that reconnect us with something timeless and profoundly human.
You've worked on all kinds of projects, from urban planning to furniture. How does moving from one scale to another influence your design?
Early in my career, I worked on large-scale urban projects: public spaces, airport aprons. Over time, I felt the need to bring scale closer to the human body. The discipline required by urban scale sharpens my focus on detail, while the sensitivity of working at a human scale brings nuance back to larger projects. Each feeds into the other, creating an ongoing dialogue in my practice. MOD001 Iki, for example, is a modular system made entirely of solid wood, assembled without screws or glue. All the elements are interchangeable, allowing the piece to evolve over time. Two beams can transform a stool into a bench; changing four legs turns it into a console. The concept is to create furniture that grows with its owner, adapting in both function and aesthetics.

About the project in Marseille
Let's talk about the Marseille apartment you worked on with CUBRO. What do you think makes it so special?
This apartment was particularly significant. The client had already begun demolition, so the project needed to proceed quickly and precisely. Her vision was to create a flexible, open, and fluid home when she was alone, but one that could easily transform into a more private space for guests. We designed a custom wooden library that extends from the entrance to the kitchen with sliding stained wood doors. This allows the apartment to playfully shift between an open layout and a more discreet two-bedroom arrangement.
The kitchen you designed has a very specific feel. How did you approach it, and what did you have in mind?
We selected a combination of Walnut WOOD and Sable LAMINATE, which evokes a subtle 1950s atmosphere. The finishes are robust and carefully selected, ensuring that the project remains elegant and relevant over time.

From your point of view, how can collaborations like this lead to more sustainable and meaningful spaces?
Working with a brand committed to tradition, craftsmanship, and lasting quality creates the perfect environment for exploring enduring solutions. CUBRO's direct production in Madrid guarantees consistent quality and a close connection between design and manufacturing. It is this combination of craftsmanship, adaptability, and reliability that makes them the ideal partner for high-quality, sustainable interiors.
Looking back at the Marseille project, are there any details that best represent your approach?
The first contact with the client. She had begun the renovation and was facing many uncertainties, so we had to act quickly and establish a clear direction. Once the concept was defined, it was crucial to find partners willing to fully commit. CUBRO's experience and responsiveness allowed us to successfully complete the renovation in a very short timeframe, reflecting my focus on thoughtful design, adaptability, and close collaboration.